Private review build. Items marked “In review” are awaiting a decision before going public.

Guilherme Yamada

Generative films

Ads and brand films for a service app, luxury real estate and local campaigns. Every frame is generated; the story, edit, sound and finish are made by hand.

11 films, 8:05 in total

Deixa que eu faço, 2026

A two-and-a-half-minute samba that turns everyday service work — cooks, carers, electricians, tutors — into a warm portrait of Brazilian life.

Aerial light over Florianópolis dissolves into generated villas, infinity pools and sunset terraces — a hero film for luxury real estate.

Every worker faces the same opponent — the fee — until a stadium roars for a jersey that reads zero.

A dripping faucet follows one man from a black-and-white childhood to a present-day kitchen — the fix that was always left for later.

A World Cup call-up reimagined for the handyman in the yellow jersey: the match starts when the service request comes in.

In review Generated figures resemble real public figures (coach and player).

One continuous aerial shot in which an empty coastal lot rises, floor by floor, into a finished residential tower.

A Labour Day spot where kinetic type knocks the fee from 20% to zero and generated workers keep every real.

A two-for-one dining app told through an unhurried date at sunset — generated cast, product UI and a synthetic voice in thirty seconds.

In review Final cut awaiting formal client approval.

A short generative wedding film built around a couple's story.

In review Personal family content.

A vertical institutional piece with a generated presenter for a real-estate studio.

In review Presenter lighting and background change between shots.

A service provider who used to go unnoticed starts getting found through the app.

In review Lead character changes appearance around 0:10–0:15.

From still to film

A photo or render goes in, a directed shot comes out. These pairs show the source next to the finished piece.

Input
Living room stagingA stabilised walkthrough of the empty unit goes in. The same camera path comes out furnished, with the real architecture untouched.
Input
Kitchen and dining stagingSame unit, kitchen and dining area: cabinetry, table and lighting appear while the camera keeps moving.
Input
Backyard stagingA photo of the empty backyard becomes a finished outdoor area with lounge seating and a jacuzzi.
Input
Bedroom stagingThe bedroom, staged in motion to help buyers picture the space before the furniture exists.
Input
From Phone Take to Golden HourInput: real 43 s iPhone HLG recording (tone-mapped to SDR for the web) of the speaker reading from his phone. Output: one of three generations (hf_20260731_181647) cut into the 43 s institutional montage in Premiere. Link is visual/contextual; generation parameters not logged.

In review Shows a real phone recording of the CEO; needs his consent.

How I work

  1. 1

    Brief and script

    Start from the business goal: who needs to feel what, in how many seconds. Write the script and shot list before touching a model.

  2. 2

    Look and characters

    Lock the visual language with reference frames and consistent characters, so forty shots feel like one film.

  3. 3

    Generate and select

    Generate each shot across image and video models, then keep only the takes that hold up frame by frame.

  4. 4

    Edit, sound, finish

    Cut, score, voice and grade in Premiere. Subtitles and end cards per platform, 16:9 and 9:16.